TÁP Theatre: A Profitable Position
Based on Osztrovszkij’s drama
	
	 
30 November, 2013. 20.00
Jurányi
	
	 
120' without intermission
	
Photo: Dávid Drucker
Cast:
	Zhadov: Krisztián Kovács
	Polina: Katalin Gergely
	Kukushkina: Kati Lázár
	Vyshnevsky: Géza Hegedűs D.
	Vyshnevskaya: Natasa Stork
	Jusov: Szabolcs Thuróczy
	Belogubov: Simon Szabó
	Yulenka: Marina Gera
	Anton 1: Ádám Schönberger
	Anton 2: Ádám Fekete
	Anton 3: Balázs Mózes
	Anton 4: Ferenc Sebő
	Anton 5: Kálmán Horváth
	
	
	Adaptation: Ádám Fekete
	Dramaturge: Kinga Keszthelyi
	Visual and light design: Sosa Juristovszky
	Costume design: Juhász Dóra
	Video, technics: Marci Gábor
	Production manager of the TÁP Theatre: Viktória Kulcsár
	Director’s assistant: Dóra Kern
	Directed by: Vilmos Vajdai
	
	Contribution to the performance: the Puszi Band, Herz Man Choir from Ferencvárosi
	
	Thank you for the support: MasterCard, NKA, TÁP, TRAFÓ, JURÁNYI
	
	Special thanks: contemporary hungarian reality
„WHO – A contemporary dance music band, the ancient alternative, electic and independent TÁP Theatre of eclectic style and Ádám Fekete, the talented student dramaturg from the Film and Theatre University transpose the 19th century Russian drama into the reality of today’s Hungary.
	
	 
WHAT – The play examines the nature of corrupt clerks and white-collar criminals in good positions, more exactly how their special moral principles, defense mechanisms and self absolution work. After it had been written, the play was banned because it was believed to make fun of civil servants by the censorship. It was only allowed to be staged six years later in St. Petersburg. Ádám Fekete and the TÁP Theatre tells the story of Ostrovsky’s play in a framework of today’s corruption as a public musical show.
	
	 
WHY – Everything that so far has proven to be a dead end street in society is there: socialism under construction, the unconscious consumer society, corruption and demagogy. And a few wheelbarrows of soil is there to make sure that this is the end. Looking at it from this perspective, the helter-skelter style and the ecstatic show may as well be justified: it reminds us of a country rushing towards its own destruction.”(István Ugrai)
Tickets
http://fugeprodukcio.hu/jegy/jegyvasarlas.html
For further information:
Criticism:
http://magyarnarancs.hu/szinhaz2/a-tap-szinhaz-jovedelmezo-allas-83618
http://7ora7.hu/programok/jovedelmezo-allas-2/nezopont
http://www.revizoronline.com/hu/cikk/4392/osztrovszkij-jovedelmezo-allas-tap-szinhaz-trafo/
http://fidelio.hu/szinhaz/premier/premier_jovedelmezo_allas
 
        















